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	<title>
	Comments on: Seriously, I Can&#8217;t Control My Camera	</title>
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	<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/</link>
	<description>Addicted to Passions and Pulp</description>
	<lastBuildDate>Sun, 14 Feb 2010 10:52:44 +0000</lastBuildDate>
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	<item>
		<title>
		By: geewhy		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14619</link>

		<dc:creator><![CDATA[geewhy]]></dc:creator>
		<pubDate>Sun, 14 Feb 2010 10:52:44 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-14619</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14613&quot;&gt;Eugene&lt;/a&gt;.

Thanks, still getting used to moving from the point-and-shoot world.   ]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14613">Eugene</a>.</p>
<p>Thanks, still getting used to moving from the point-and-shoot world.   </p>
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		<item>
		<title>
		By: Gee Why		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17343</link>

		<dc:creator><![CDATA[Gee Why]]></dc:creator>
		<pubDate>Sun, 14 Feb 2010 10:52:00 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-17343</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17341&quot;&gt;Eugene&lt;/a&gt;.

Thanks, still getting used to moving from the point-and-shoot world.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17341">Eugene</a>.</p>
<p>Thanks, still getting used to moving from the point-and-shoot world.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: geewhy		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14618</link>

		<dc:creator><![CDATA[geewhy]]></dc:creator>
		<pubDate>Sun, 14 Feb 2010 10:51:14 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-14618</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14603&quot;&gt;teejaygee&lt;/a&gt;.

Thanks for the lesson ]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14603">teejaygee</a>.</p>
<p>Thanks for the lesson </p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Gee Why		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17342</link>

		<dc:creator><![CDATA[Gee Why]]></dc:creator>
		<pubDate>Sun, 14 Feb 2010 10:51:00 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-17342</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17340&quot;&gt;teejaygee&lt;/a&gt;.

Thanks for the lesson]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17340">teejaygee</a>.</p>
<p>Thanks for the lesson</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Eugene		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14613</link>

		<dc:creator><![CDATA[Eugene]]></dc:creator>
		<pubDate>Sun, 14 Feb 2010 03:41:37 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-14613</guid>

					<description><![CDATA[So - with the T1i there are a couple approaches to depth of field. Personally I prefer using Av mode (i.e. &#034;aperture priority&#034;), though they do have the, wossit, creative control mode that does the same thing, only with friendly wording instead of &#039;aperture.&#039; 
 
With regards focus, when you need specific focus, change it to manual center-point focusing - even if you don&#039;t want the focus point centered, you can take the focus with a half-press then shift the composition frame to how you want it - alTHOUGH one of the biggest reasons to *have* 15 megapixels in the first place is to be able to crop the hell out of an image and still have a good leftover resolution. 
 
I love my T1i - I keep the kit lens around as it is basically my widest angle lens (I don&#039;t need a big FOV often, as scenery is not my main objective) but don&#039;t use it much. 
 
My two main lenses are the EF 50mm prime f/1.4 USM and the EF 70-300 tele zoom IS USM.  Between the two of those I get must about everything I want. 
 
&lt;a href=&quot;http://flickr.com/yevgene&quot; target=&quot;_blank&quot;&gt;http://flickr.com/yevgene&lt;/a&gt; :) ]]></description>
			<content:encoded><![CDATA[<p>So &#8211; with the T1i there are a couple approaches to depth of field. Personally I prefer using Av mode (i.e. &quot;aperture priority&quot;), though they do have the, wossit, creative control mode that does the same thing, only with friendly wording instead of &#039;aperture.&#039; </p>
<p>With regards focus, when you need specific focus, change it to manual center-point focusing &#8211; even if you don&#039;t want the focus point centered, you can take the focus with a half-press then shift the composition frame to how you want it &#8211; alTHOUGH one of the biggest reasons to *have* 15 megapixels in the first place is to be able to crop the hell out of an image and still have a good leftover resolution. </p>
<p>I love my T1i &#8211; I keep the kit lens around as it is basically my widest angle lens (I don&#039;t need a big FOV often, as scenery is not my main objective) but don&#039;t use it much. </p>
<p>My two main lenses are the EF 50mm prime f/1.4 USM and the EF 70-300 tele zoom IS USM.  Between the two of those I get must about everything I want. </p>
<p><a href="http://flickr.com/yevgene" target="_blank">http://flickr.com/yevgene</a> 🙂 </p>
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			</item>
		<item>
		<title>
		By: Eugene		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17341</link>

		<dc:creator><![CDATA[Eugene]]></dc:creator>
		<pubDate>Sun, 14 Feb 2010 03:41:00 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-17341</guid>

					<description><![CDATA[So - with the T1i there are a couple approaches to depth of field. Personally I prefer using Av mode (i.e. &#034;aperture priority&#034;), though they do have the, wossit, creative control mode that does the same thing, only with friendly wording instead of &#039;aperture.&#039; 
 
With regards focus, when you need specific focus, change it to manual center-point focusing - even if you don&#039;t want the focus point centered, you can take the focus with a half-press then shift the composition frame to how you want it - alTHOUGH one of the biggest reasons to *have* 15 megapixels in the first place is to be able to crop the hell out of an image and still have a good leftover resolution. 
 
I love my T1i - I keep the kit lens around as it is basically my widest angle lens (I don&#039;t need a big FOV often, as scenery is not my main objective) but don&#039;t use it much. 
 
My two main lenses are the EF 50mm prime f/1.4 USM and the EF 70-300 tele zoom IS USM.  Between the two of those I get must about everything I want. 
 
&lt;a href=&quot;http://flickr.com/yevgene&quot; rel=&quot;nofollow&quot;&gt;http://flickr.com/yevgene&lt;/a&gt; :)]]></description>
			<content:encoded><![CDATA[<p>So &#8211; with the T1i there are a couple approaches to depth of field. Personally I prefer using Av mode (i.e. &quot;aperture priority&quot;), though they do have the, wossit, creative control mode that does the same thing, only with friendly wording instead of &#039;aperture.&#039; </p>
<p>With regards focus, when you need specific focus, change it to manual center-point focusing &#8211; even if you don&#039;t want the focus point centered, you can take the focus with a half-press then shift the composition frame to how you want it &#8211; alTHOUGH one of the biggest reasons to *have* 15 megapixels in the first place is to be able to crop the hell out of an image and still have a good leftover resolution. </p>
<p>I love my T1i &#8211; I keep the kit lens around as it is basically my widest angle lens (I don&#039;t need a big FOV often, as scenery is not my main objective) but don&#039;t use it much. </p>
<p>My two main lenses are the EF 50mm prime f/1.4 USM and the EF 70-300 tele zoom IS USM.  Between the two of those I get must about everything I want. </p>
<p><a href="http://flickr.com/yevgene" rel="nofollow">http://flickr.com/yevgene</a> 🙂</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: teejaygee		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-14603</link>

		<dc:creator><![CDATA[teejaygee]]></dc:creator>
		<pubDate>Sat, 13 Feb 2010 21:44:05 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-14603</guid>

					<description><![CDATA[Depth of field is all about the f-stop. The higher the number, the deeper the field. Of course the shutter speed goes down as the f-stop goes up, so get a tripod.

You use this effect in the opposite way for sports -- wide open aperture (low f-number) means the player stands out from the blurry background, and you get a faster shutter speed to freeze the action.

In our next lesson, using wide angle or telephoto lenses to define the &quot;space&quot; of the depth of field.]]></description>
			<content:encoded><![CDATA[<p>Depth of field is all about the f-stop. The higher the number, the deeper the field. Of course the shutter speed goes down as the f-stop goes up, so get a tripod.</p>
<p>You use this effect in the opposite way for sports &#8212; wide open aperture (low f-number) means the player stands out from the blurry background, and you get a faster shutter speed to freeze the action.</p>
<p>In our next lesson, using wide angle or telephoto lenses to define the &#8220;space&#8221; of the depth of field.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: teejaygee		</title>
		<link>https://www.pulpconnection.net/2010/02/seriously-i-cant-control-my-camera/#comment-17340</link>

		<dc:creator><![CDATA[teejaygee]]></dc:creator>
		<pubDate>Sat, 13 Feb 2010 21:44:00 +0000</pubDate>
		<guid isPermaLink="false">https://www.pulpconnection.net/?p=8600#comment-17340</guid>

					<description><![CDATA[Depth of field is all about the f-stop. The higher the number, the deeper the field. Of course the shutter speed goes down as the f-stop goes up, so get a tripod.

You use this effect in the opposite way for sports -- wide open aperture (low f-number) means the player stands out from the blurry background, and you get a faster shutter speed to freeze the action.

In our next lesson, using wide angle or telephoto lenses to define the &quot;space&quot; of the depth of field.]]></description>
			<content:encoded><![CDATA[<p>Depth of field is all about the f-stop. The higher the number, the deeper the field. Of course the shutter speed goes down as the f-stop goes up, so get a tripod.</p>
<p>You use this effect in the opposite way for sports &#8212; wide open aperture (low f-number) means the player stands out from the blurry background, and you get a faster shutter speed to freeze the action.</p>
<p>In our next lesson, using wide angle or telephoto lenses to define the &#8220;space&#8221; of the depth of field.</p>
]]></content:encoded>
		
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