Harsh Reality: Ain’t Going to Make Money by Blogging
In her latest blog post, Penelope Trunk lays it out clearly – you’re not going to make money from your blog.
Shazbat! Back to the real job that does pay money.
In her latest blog post, Penelope Trunk lays it out clearly – you’re not going to make money from your blog.
Shazbat! Back to the real job that does pay money.
My latest submission to Urban Dictionary was rejected so instead of letting it waste away, I figured I’d post it here. Here is my proposed definition for Ashton’s Orphans (or maybe it shoulda been Ashton’s Tworphans for some Twitterese):
All those unloved, unused, and now orphaned Twitter accounts spawned by fans of Ashton Kutcher (@aplusk) in his race against CNN to reach one million Twitter followers.
Example: My IRL friends only joined Twitter to help Ashton Kutcher reach one million followers before CNN, but now they’re just one of Ashton’s Orphans.
I made a few small changes to the original submission, but oh well… There’s always twuat and Twitter MILF. 😉
Normally, I post only my favorite Dancing with the Stars performance in my weekly recap. This week though, there were several solid performances, so I had to add bonus material.
Here’s Mark Ballas and Shawn Johnson doing a cha cha cha to Michael Jackson’s PYT.
Later on, I’ll post Melissa and Tony’s intricate Argentine Tango. As promised, here is “Maneater” Melissa with an almost perfect routine.
With the great talent on Season 8 of Dancing with the Stars, average scores simply ain’t good enough. Even scores of 8 are grounds for elimination. Week 7 of DWTS showcased some serious talent and routines. Let’s begin!
Melissa Rycroft and Tony Dovolani started the show with a bar raising Argentine Tango. After a score of 29, I thought the rest of the competition would falter, but not so. LT’s waltz, though okay, was much better than his previous outings.
Yeah, Lil’ Kim and Derek Hough were too conservative this week and need to heed Bruno’s advice of bringing the raunch back.
My favorite performance for this week goes to Chuck Wicks and Julianne Hough. Not just because Chuck copped a feel on national television, but because he actually had a dancing breakthrough with a score of 27.
At about the 0:12 mark, check out the squeezy squeezy action.
Even though Ty Murray made a ballroom comeback, I think his appeal is running its course. He scored higher than LT, but I’m thinking Ty’s getting sacked first.
A close favorite is Shawn Johnson’s cha cha cha to Michael Jackson’s PYT. She was definitely in her element with this performance.
Gilles Marini and Cheryl Burke closed out the individual dances, but I didn’t care too much for their Viennese Waltz.
So there you have it, another great week of Dancing with the Stars.
After using the just released Twitter desktop client, Tweetie for the Mac, for 15 minutes, here is my review.
Tweetie for the Mac has a default single column layout with different “tabs” that slide you to your Twitter Timeline, mentions, and DM messages much like Twhirl. It’s not a multicolumn beast like Tweetdeck though you can fill your screen with tear away search screens.
As a desktop app, Tweetie for the Mac feels fast. Faster than the Adobe AIR-based Twhirl or Tweetdeck, on par with Nambu, another desktop client.
Tweetie for the Mac supports multiple Twitter account (which Tweetdeck does not do) and again uses various sidebar “tabs” to switch between Twitter accounts. However, different accounts are distinguished primarily by their Twitter avatars. This more or less forces you to customize your avatar (which you’ve done already right?). Otherwise, you’ll only see the default o_O icon which won’t help you figure out which account you’re using. Although when you are composing a tweet, there is a drop down menu letting you pick by name and avatar which account you’re tweeting with.
Some of the additional services supported.
URL Shortening:
Image Service:
So far, a “hidden” feature I stumbled upon is the inclusion of Twitlonger. If your tweet is longer than the standard 140 characters, Tweetie for the Mac asks if you want to use Twitlonger for your longer tweet. Here’s an example of a Twitlonger tweet. That’s a nice addition.
I also like the behavior of new tweets. Instead of automatically pushing my Timeline location around, Tweetie for the Mac stays put. With Nambu, new tweets would push my Timeline down, making me lose track of where I was – confusing.
Some of the not so good? I can’t find a way of viewing only my tweets. I guess I can search for my own Twitter name, but it would seem easier if there were a “tab” for my tweets. Favorites too, I don’t see an intuitive way to see what tweets I’ve faved. [Update: Ryan Ozawa, aka @hawaii, points out that double clicking your avatar shows your tweets, mentions, faves, and info.]
One minor UI thing I don’t like is the colorless scroll bar. For whatever reason, I have a hard time seeing the handle to scroll up and down my Timeline. I don’t know if it’s the lack of contrast or what, but a few times already, I’ve kinda lost the scroll bar handle and had to look for it. It just didn’t pop out visually.
And oh yeah, I don’t care for the purplish hued icon for Tweetie for the Mac. It’s kinda blasé.
I’m sure there are all kinds of other things to explore and discover with Tweetie for the Mac, and like I said, I only played around with it for 15 minutes. But that’s what is appealing. This app seems simple since it masks the complexity and functionality that is actually there.
Cost is free for a version that includes advertisements. The ad-free version costs $19.95 with a special introductory price of $14.95 until May 4th.
The Twitter desktop client market just got another contender with the introduction of Tweetie for the Mac. Tweetie is already a killer iPhone app, and it’s making a jump to your desktop.
So far so good with version 1.0. It’s one of those simple but powerful applications. You just need to find that feature that’s actually there. One small complaint is the color of the scrollbar, or should I say the lack of color. It’s kinda hard to see the scroll bar since the colors match the rest of the window. Yes, it’s a small thing, but twice already, I had to “hunt” for where I was in the scroll bar
Could I yet again be jumping to a different Twitter client? First Tweetdeck, then Twhirl, some Nambu, and now Tweetie?
The ad-free version costs $14.95 until May 4, 2009.
So the much publicized contest between Ashton Kutcher and CNN for one million Twitter followers is an all win situation for the microblogging service. Getting The Oprah on to Twitter is merely a secondary effect of @aplusk taking on “the establishment.”
All of Ashton’s campaigning and publicity are paying off with even more users singing up to Tweet. Just now, I’ve found new IRL friends on Twitter following very few except of aplusk. Kind of an indicator, no? Is this the “Ashton Effect?”
That’s it. The crucial but not-well-understood technology of RSS is quickly being eclipsed by the monstrous momentum of Twitter. While RSS is still needed for the exposure of web site updates in a standard format, the consumption of these updates is headed towards Twitter.
Now with The Oprah talking about Twitter, it’s bound to go even more mainstream. You know the first time Oprah directs her now 330K+ Twitter followers to a link, the site will suffer the “Digg effect.”
Yeah, yeah, RSS will go on since it’s absolutely needed, and Twitter and RSS can complement each other. RSS will just be relegated to the technology back row never receiving the public fanfare or digirati support like Twitter has.
Another amazing song by new sensation Susan Boyle. In 1999, Susan recorded a track for a charity CD and the Daily Record was able to find a copy.
Listen to Susan sing “Cry Me a River” (not the Justin Timberlake version).
I’m late to this and only now have seen and heard Susan Boyle sing on Britain’s Got Talent.
Wow!
Sorry, YouTube embedding of the video has been disabled. Here’s a CBS segment on Susan.
Did you catch this week’s episode of LOST, titled “Some Like It Hoth?” Remember the scene where Miles was abducted by a van full of strangers? Here’s a refresher.
That scene was filmed at Miki’s on Lehua Avenue in Pearl City. Even though less than a minute, the crew was there for some time, transforming Miki’s into La Vida Tacos.
Interesting to see how this…
transformed into this… (well except for the night time part)
If you need a recap of the episode, be sure to check out The Transmission and this week’s podcast.